On April 10 - 11, 2015, luminaries from the worldwide fellowship of Mayanists gathered on the campus of Cal State Los Angeles CSULA for a significant conference in honor of Linda Schele (1942 - 1998). Entitled "In the Realm of the Vision Serpent: Decipherments and Discoveries in Mesoamerica, A Symposium in Homage to Linda Schele", the gathering featured presentations from such noted scholars as:
Freidel, Mathews, and Miller co-authored books with Schele:
The Blood of Kings, 1986, Linda Schele and Mary Ellen Miller
A Forest of Kings, 1990, Linda Schele and David Freidel
Maya Cosmos, 1993, David Freidel, Linda Schele, Joy Parker
Hidden Faces of the Maya, 1997, Linda Schele and Jorge Perez de Lara
The Code of Kings, 1998, Linda Schele and Peter Mathews
Everyone had their Linda Schele story to tell. Many presenters said it almost felt like they were back in Austin at Linda's famed Maya Meetings. Video clips of interviews with Schele directed by David Lebrun were interspersed between presentations. Schele signed off on Christenson's PhD dissertation on her deathbed. Stuart was at Palenque on April 18, 1998, the day she died of pancreatic cancer. He planted a ceiba tree in her honor on the plaza in front of the Temple of the Inscriptions. Her remains are interred on a hillside overlooking Lake Atitlan.
An overtone of spirituality pervaded the conference. Aguilar-Moreno was a Catholic priest in Mexico when he began to study with Schele. Her prophetic counsel to him has led to a remarkable legacy as an art historian in Los Angeles, including the 2015 conference. There was a time in her life when Schele recognized she was addicted to alcohol. Her journey to sobriety was a spiritual one. When she knew she had only weeks to live, she said, "I am going to become an ancestor" and she seemed to genuinely relish the prospect. David Stuart gave a powerful presentation about the Maya pantheon and suggested that contemporary humans could benefit greatly by learning to think like the Maya thought with the physical and spiritual worlds inextricably intertwined. The vision serpent, for whom the conference was named, was a source of spiritual enlightenment among the Maya.
After the presentations on Friday, attendees viewed an excellent museum exhibit entitled "Eternal Realms of Revelry: The MAW Collection of Pre-Columbian Art" curated by John M.D. Pohl. Pohl had the same problem museologists all over the world face when dealing with antiquities. Some of the best pieces were looted, offered for sale on the global art market, and acquired by private collectors, so their provenience will be forever tentative.
I will not summarize the conference proceedings. There was simply too much material presented. I will, however, highlight some data points potentially relevant to the Book of Mormon.
1. Palenque is the most important site in the Maya world.
Palenque is the lodestone. David Freidel.
The Tablet of the Foliated Cross from Palenque depicts death and resurrection, themes of utmost importance to the Maya. Allen Christenson.
Piers B & E from the Temple of the Inscriptions, Palenque, show the god K'awiil being cradled as an infant. The Dumbarton Oaks Tablet from Palenque shows Lord Pakal as a diminutive K'awiil. Jennifer Scheper Hughes, UC Riverside.
Pakal died as the maize god, K'awiil. He is then shown rising up the life tree. Mary Miller.
God L, the merchant, is represented at Palenque. Andrew Turner, UC Riverside.
Palenque was a society built around art. It was a society where art was central to the existence of the society. We use science to explain reality. Palenque was a society where art explained reality. Linda Schele.
"In 1973 at the mesa redonda (round table) Floyd Lounsbury, Peter Mathews and I deciphered the names of 8 Palenque kings in 3 hours. That was the moment when we began to read Mayan." Linda Schele.
"On my first visit to Palenque, I could sense this site was an especially powerful source of the sacred." Linda Schele. Palenque is noted for the high quality of its glyphic texts.
Some of the figurines found on Jaina Island actually came from Palenque. Mary Miller.
Complex poetical devices such as chiasmus are found in the Popol Vuh and in Mayan texts from Palenque. Jamie Lynn, Texas Tech.
The Palenque cross group (Temple of the Cross, Temple of the Foliated Cross, Temple of the Sun) are the most important structures in Mesoamerica. David Stuart.
Triadic gods (G1, G2, G3) are found at Palenque and Caracol. David Stuart.
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Book of Mormon connection 1 a. According to the geographic model developed since 2011 in this blog, Palenque was in the local land of Zarahemla, the Nephite culture core. V. Garth Norman was the first to publish this correlation in 2006.
1 b. Death and resurrection were themes of utmost importance to the Nephites. They appear dozens of times in the Book of Mormon Alma 11:42, Mosiah 15:21.
1 c. Jesus Christ's infancy is attested in the Book of Mormon 1 Nephi 11:20.
1 d. Jesus Christ in the Book of Mormon asked men to become like him, to develop god-like attributes 3 Nephi 12:48.
1 e. The tree of life is amply attested in the Book of Mormon Alma 5:34.
1 f. Merchants were prominent in Nephite life 3 Nephi 6:11.
1 g. The records kept by Nephite scribes were an especially powerful source of the sacred 4 Nephi 1:48.
1 h. Complex poetical devices such as chiasmus are found in the Book of Mormon Alma 36.
1 i. For many years the temple at Zarahemla was the most important structure in the Nephite world Mosiah 1:18.
1 j. A triad of gods is mentioned prominently in the Book of Mormon 3 Nephi 11:27.
2. Maya writing is art.
What was said was controlled by tradition. Couplets, triplets and other forms of expression were the real Maya art forms. Linda Schele.
--
Book of Mormon connection 2 a. What was said in the Book of Mormon was controlled by tradition. The text is highly regular in its phraseology. See the blog article "English in the Book of Mormon," particularly the synopsis of Royal Skousen's presentation.
2 b. Couplets, triplets and other forms of expression are the Nephite art forms that have endured to our day. The Book of Mormon is so rich in parallelism that a new edition was published to highlight its literary structures. See Donald W. Parry, The Book of Mormon Text Reformatted according to Parallelistic Patterns (Provo: FARMS, 1992, 2002).
3. History is treasure.
History is a precious gift.It provides identity, resilience, examples of how to cope. Linda Schele.
--
Book of Mormon connection 3 a. The Book of Mormon is a precious gift of great worth to the Lamanites 2 Nephi 28:2.
3 b. The Book of Mormon informs Lamanites of their identity Mormon 7:2.
3 c. The Book of Mormon has examples of resilience, of how to cope in difficult situations 3 Nephi 6:14.
4. Science is the method.
Gather data, wait for it to pattern, and when it patterns follow it wherever it wants to go. Let the data drive the model. Linda Schele.
--
Book of Mormon connection 4. This blog is a reasonably good example of letting the data drive the model. Its approach to the text is highly empirical and data-driven.
5. Humanity is the goal.
To understand humans, we need to understand the New World. Linda Schele.
--
Book of Mormon connection 5. The Book of Mormon champions the Western Hemisphere among the nations of the world 2 Nephi 29:12-13.
6. Directional cardinality. The Maya and the Olmec before them conceived of a quadrilateral heaven and a quadrilateral earth, each with four sides and four corners, all oriented to the cardinal directions.
Throughout the Maya world we see a four part cosmology, four cardinal directions, and four year bearers. There is a four fold organization of space and time. Julia Guernsey.
West was associated with the color black. Kawak years brought warfare & drought. South was associated with the color yellow and Kan years.East was associated with the color red and Muluk years. Gabrielle Vail.
Among the Ch'orti' the infernal world has four corners oriented to the four cardinal directions with the fifth cardinal direction being the navel, heart, or center. In each of the four directions is a sea. The white sea is represented by milk, the red sea by blood. A fifth sea lies at the center. Hull's diagram of the five seas was a classic quincunx with four points laid out like a cross and a fifth at the center.
A square milpa (cornfield) represents cosmic space. The Ch'orti' dig a hole in the center of a milpa. The world has four or five pillars and four portals. East and west are the primary points of entry. In their travels, spirits follow the sun. Kerry M. Hull, BYU. For another example of four seas at the four cardinal directions with a fifth sea at the center, see the blog article "Quichean Directionality."
Symbols 19 - 22 of the Cascajal Block have recently been interpreted as motifs representing the four cardinal directions and the sun's path as it crosses the sky.
Similar symbols appear in directional contexts in classic Maya art. La Venta is oriented 8 degrees west of north to align with the principal 30 meter high mound shaped like an artificial volcano . Celsiana Gera, UCLA.
- Manuel Aguilar-Moreno, Cal State LA
- Allen J. Christenson, BYU
- David A. Freidel, Washington University
- Claudia Garcia-Des Lauriers, Cal Poly Pomona
- Julia Guernsey, UT Austin
- Rex Koontz, University of Houston
- Peter Mathews, La Trobe University
- Mary Ellen Miller, Yale
- John M.D. Pohl, UCLA/Cal State LA
- F. Kent Reilly, III, Texas State
- David Stuart, UT Austin
- Carolyn Tate, Texas Tech
- Karl Taube, UC Riverside
- Gabrielle Vail, New College of Florida
- Marc Zender, Tulane
Freidel, Mathews, and Miller co-authored books with Schele:
The Blood of Kings, 1986, Linda Schele and Mary Ellen Miller
A Forest of Kings, 1990, Linda Schele and David Freidel
Maya Cosmos, 1993, David Freidel, Linda Schele, Joy Parker
Hidden Faces of the Maya, 1997, Linda Schele and Jorge Perez de Lara
The Code of Kings, 1998, Linda Schele and Peter Mathews
Everyone had their Linda Schele story to tell. Many presenters said it almost felt like they were back in Austin at Linda's famed Maya Meetings. Video clips of interviews with Schele directed by David Lebrun were interspersed between presentations. Schele signed off on Christenson's PhD dissertation on her deathbed. Stuart was at Palenque on April 18, 1998, the day she died of pancreatic cancer. He planted a ceiba tree in her honor on the plaza in front of the Temple of the Inscriptions. Her remains are interred on a hillside overlooking Lake Atitlan.
An overtone of spirituality pervaded the conference. Aguilar-Moreno was a Catholic priest in Mexico when he began to study with Schele. Her prophetic counsel to him has led to a remarkable legacy as an art historian in Los Angeles, including the 2015 conference. There was a time in her life when Schele recognized she was addicted to alcohol. Her journey to sobriety was a spiritual one. When she knew she had only weeks to live, she said, "I am going to become an ancestor" and she seemed to genuinely relish the prospect. David Stuart gave a powerful presentation about the Maya pantheon and suggested that contemporary humans could benefit greatly by learning to think like the Maya thought with the physical and spiritual worlds inextricably intertwined. The vision serpent, for whom the conference was named, was a source of spiritual enlightenment among the Maya.
Vision Serpent from Yaxchilan Lintel 15 Now in the British Museum |
Teotihuacan-style Ceramic Vessel |
1. Palenque is the most important site in the Maya world.
Palenque is the lodestone. David Freidel.
The Tablet of the Foliated Cross from Palenque depicts death and resurrection, themes of utmost importance to the Maya. Allen Christenson.
Piers B & E from the Temple of the Inscriptions, Palenque, show the god K'awiil being cradled as an infant. The Dumbarton Oaks Tablet from Palenque shows Lord Pakal as a diminutive K'awiil. Jennifer Scheper Hughes, UC Riverside.
Pakal died as the maize god, K'awiil. He is then shown rising up the life tree. Mary Miller.
God L, the merchant, is represented at Palenque. Andrew Turner, UC Riverside.
Palenque was a society built around art. It was a society where art was central to the existence of the society. We use science to explain reality. Palenque was a society where art explained reality. Linda Schele.
"In 1973 at the mesa redonda (round table) Floyd Lounsbury, Peter Mathews and I deciphered the names of 8 Palenque kings in 3 hours. That was the moment when we began to read Mayan." Linda Schele.
"On my first visit to Palenque, I could sense this site was an especially powerful source of the sacred." Linda Schele. Palenque is noted for the high quality of its glyphic texts.
Some of the figurines found on Jaina Island actually came from Palenque. Mary Miller.
Complex poetical devices such as chiasmus are found in the Popol Vuh and in Mayan texts from Palenque. Jamie Lynn, Texas Tech.
The Palenque cross group (Temple of the Cross, Temple of the Foliated Cross, Temple of the Sun) are the most important structures in Mesoamerica. David Stuart.
Triadic gods (G1, G2, G3) are found at Palenque and Caracol. David Stuart.
--
Book of Mormon connection 1 a. According to the geographic model developed since 2011 in this blog, Palenque was in the local land of Zarahemla, the Nephite culture core. V. Garth Norman was the first to publish this correlation in 2006.
1 b. Death and resurrection were themes of utmost importance to the Nephites. They appear dozens of times in the Book of Mormon Alma 11:42, Mosiah 15:21.
1 c. Jesus Christ's infancy is attested in the Book of Mormon 1 Nephi 11:20.
1 d. Jesus Christ in the Book of Mormon asked men to become like him, to develop god-like attributes 3 Nephi 12:48.
1 e. The tree of life is amply attested in the Book of Mormon Alma 5:34.
1 f. Merchants were prominent in Nephite life 3 Nephi 6:11.
1 g. The records kept by Nephite scribes were an especially powerful source of the sacred 4 Nephi 1:48.
1 h. Complex poetical devices such as chiasmus are found in the Book of Mormon Alma 36.
1 i. For many years the temple at Zarahemla was the most important structure in the Nephite world Mosiah 1:18.
1 j. A triad of gods is mentioned prominently in the Book of Mormon 3 Nephi 11:27.
2. Maya writing is art.
What was said was controlled by tradition. Couplets, triplets and other forms of expression were the real Maya art forms. Linda Schele.
--
Book of Mormon connection 2 a. What was said in the Book of Mormon was controlled by tradition. The text is highly regular in its phraseology. See the blog article "English in the Book of Mormon," particularly the synopsis of Royal Skousen's presentation.
2 b. Couplets, triplets and other forms of expression are the Nephite art forms that have endured to our day. The Book of Mormon is so rich in parallelism that a new edition was published to highlight its literary structures. See Donald W. Parry, The Book of Mormon Text Reformatted according to Parallelistic Patterns (Provo: FARMS, 1992, 2002).
3. History is treasure.
History is a precious gift.It provides identity, resilience, examples of how to cope. Linda Schele.
--
Book of Mormon connection 3 a. The Book of Mormon is a precious gift of great worth to the Lamanites 2 Nephi 28:2.
3 b. The Book of Mormon informs Lamanites of their identity Mormon 7:2.
3 c. The Book of Mormon has examples of resilience, of how to cope in difficult situations 3 Nephi 6:14.
4. Science is the method.
Gather data, wait for it to pattern, and when it patterns follow it wherever it wants to go. Let the data drive the model. Linda Schele.
--
Book of Mormon connection 4. This blog is a reasonably good example of letting the data drive the model. Its approach to the text is highly empirical and data-driven.
5. Humanity is the goal.
To understand humans, we need to understand the New World. Linda Schele.
--
Book of Mormon connection 5. The Book of Mormon champions the Western Hemisphere among the nations of the world 2 Nephi 29:12-13.
6. Directional cardinality. The Maya and the Olmec before them conceived of a quadrilateral heaven and a quadrilateral earth, each with four sides and four corners, all oriented to the cardinal directions.
Throughout the Maya world we see a four part cosmology, four cardinal directions, and four year bearers. There is a four fold organization of space and time. Julia Guernsey.
West was associated with the color black. Kawak years brought warfare & drought. South was associated with the color yellow and Kan years.East was associated with the color red and Muluk years. Gabrielle Vail.
Among the Ch'orti' the infernal world has four corners oriented to the four cardinal directions with the fifth cardinal direction being the navel, heart, or center. In each of the four directions is a sea. The white sea is represented by milk, the red sea by blood. A fifth sea lies at the center. Hull's diagram of the five seas was a classic quincunx with four points laid out like a cross and a fifth at the center.
Ch'orti' Conception of the World of Spirits |
Symbols 19 - 22 of the Cascajal Block have recently been interpreted as motifs representing the four cardinal directions and the sun's path as it crosses the sky.
Cascajal Block with Symbols 19-22 Highlighted |
Izapa is oriented 8 degrees west of north to align with Tacana and Tajumulco, the two tallest volcanoes in Central America, which dominate the horizon. V. Garth Norman, BYU.
The Initial Series Group, south of the main Chichen Itza site, is oriented north, south, east and west. Karl Taube.
Teotihuacan is oriented 15 degrees east of north. An azimuth plotted from the Temple of the Sun to the Temple of the Moon is oriented 2 degrees east of north. The city is laid out on a true grid pattern with the east west axes perpendicular to the north south vectors. Matthew H. Robb, de Young Museum. Vincent H. Malmstrom demonstrated in his Cycles of the Sun, Mysteries of the Moon: The Calendar in Mesoamerican Civilization (Austin: University of Texas Press, 1997) that Teotihuacan's alignment is based on the August 13th sunset point viewed from the Pyramid of the Sun. August 13th is the day the Maya calendar began. August 13th is one of two solar zenith passage days at Izapa (14.8 degrees north latitude) when the sun casts no shadow at high noon.
La Venta was a four directional symbol of the earth's surface. A four directional diagram of the world with a center was typical of Olmec art. The world tree, four directions, earth platform and sacred mountain are standard Mesoamerican motifs. Carolyn Tate.
Chichen Itza shows the Maya idea of solar-based four directions defining a quadripartite earth's surface. The center was the fifth direction. Cenote Holtun at Chichen Itza has a four-sided opening oriented to the four cardinal directions. This opening is oriented so the sun shines into the cenote on solar zenith passage days. The opening is thus a zenith sight tube. Francesca Vega, Texas Tech.
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Book of Mormon connection 6. There are six Book of Mormon geographers whose work I consider serious. They are, in order of publication:
7. Maya descendants. Linda Schele made it a priority to bring living Maya to the Maya Meetings in Austin. In their texts, the Maya are speaking to their posterity, not to us. Allen J. Christenson.
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Book of Mormon connection 7. In their texts, the Nephites are speaking to their posterity and to us Mormon 5:10.
8. Polity founding. El Peru, aka Waka, was founded ca. 100 B.C. It was conquered in the fourth century and again in the seventh century. David Friedel.
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Book of Mormon connection 8 a. In the Book of Mormon model elaborated in this blog, El Peru is just a few kilometers north of the Nephite land of Sidom.
Since Alma2 founded a church in the land of Sidom ca. 81 B.C. Alma 15:13, the land at that time was probably newly-settled by the Nephites. A 100 B.C. date for the beginning of El Peru works well with our current concept of Nephite settlement in this area.
Teotihuacan is oriented 15 degrees east of north. An azimuth plotted from the Temple of the Sun to the Temple of the Moon is oriented 2 degrees east of north. The city is laid out on a true grid pattern with the east west axes perpendicular to the north south vectors. Matthew H. Robb, de Young Museum. Vincent H. Malmstrom demonstrated in his Cycles of the Sun, Mysteries of the Moon: The Calendar in Mesoamerican Civilization (Austin: University of Texas Press, 1997) that Teotihuacan's alignment is based on the August 13th sunset point viewed from the Pyramid of the Sun. August 13th is the day the Maya calendar began. August 13th is one of two solar zenith passage days at Izapa (14.8 degrees north latitude) when the sun casts no shadow at high noon.
La Venta was a four directional symbol of the earth's surface. A four directional diagram of the world with a center was typical of Olmec art. The world tree, four directions, earth platform and sacred mountain are standard Mesoamerican motifs. Carolyn Tate.
Chichen Itza shows the Maya idea of solar-based four directions defining a quadripartite earth's surface. The center was the fifth direction. Cenote Holtun at Chichen Itza has a four-sided opening oriented to the four cardinal directions. This opening is oriented so the sun shines into the cenote on solar zenith passage days. The opening is thus a zenith sight tube. Francesca Vega, Texas Tech.
--
Book of Mormon connection 6. There are six Book of Mormon geographers whose work I consider serious. They are, in order of publication:
- John L. Sorenson 1985, 2013
- F. Richard Hauck 1988
- Joseph L. Allen & Blake J. Allen 1989, 2008
- Aric Turner 2004
- V. Garth Norman 2006
- Kirk Magleby (this blog) 2011
7. Maya descendants. Linda Schele made it a priority to bring living Maya to the Maya Meetings in Austin. In their texts, the Maya are speaking to their posterity, not to us. Allen J. Christenson.
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Book of Mormon connection 7. In their texts, the Nephites are speaking to their posterity and to us Mormon 5:10.
8. Polity founding. El Peru, aka Waka, was founded ca. 100 B.C. It was conquered in the fourth century and again in the seventh century. David Friedel.
--
Book of Mormon connection 8 a. In the Book of Mormon model elaborated in this blog, El Peru is just a few kilometers north of the Nephite land of Sidom.
El Peru aka Waka near the Proposed Land of Sidom |
8 b. Nephite annals record a major war in this region beginning in the fourth century A.D. Mormon 1:10.
9. Dave Kelley. David H. Kelley and Linda Schele were good friends. Peter Matthews was Kelley's student at the University of Calgary, as was Marc Zender.
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Book of Mormon connection 9. John L. Sorenson cites David H. Kelley often. See Mormon's Codex: An Ancient American Book pp. 111, 180, and 222-223. Kelley was much more open to the likelihood of trans-oceanic migrations than most other Mesoamericanists, a trait that endeared him to Sorenson. Kelley proposed a relationship between the letters of the Proto-Sinaitic alphabet and the 20 Mayan day names. Stephen C. Compton took Kelley's thesis and developed it further. See the blog article "Book Notice - Exodus Lost by Stephen C. Compton." Compton cites Kelley as he lays out a strong case for Olmec origins in Hyksos Egypt.
10. Cerros. Material symbol systems were elaborated at Cerro Maya (aka Cerros near the mouth of the New River in Belize). David Friedel. Cerros reached apogee in the late preclassic. Ceremonial architecture began about 50 B.C. Structure 5C-2nd contains stucco mask reliefs depicting the hero twins from the Popol Vuh.
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Book of Mormon connection 10. In our Book of Mormon model, Cerros is the city of Mulek just south of the city of Bountiful on the Nephite east coast. Joseph L. Allen suggested this correlation in 1989.
The Book of Mormon says Mulek was settled in the first century B.C.as part of the wave of Nephite expansion that pushed the boundaries of the greater land of Zarahemla east to the sea Alma 51:26. See the blog articles "Expansion of the Nephite Nation,""Sidon East then West," and "Captain Moroni in Space and Time." Mulek did not remain in Nephite hands for more than a few decades. It is last mentioned in the Book of Mormon ca. 30 B.C. Helaman 5:15.
11. Winged Deities. Izapa Stela 4 depicts Itzamna, the creator deity, transformed into a bird with wings. Kaminaljuyu Stela 11 shows rulers dressed as birds. Heather Hurst's drawings of the San Bartolo murals show a twisted serpent bird - Itzamna's avian alter-ego. Justin Kerr's K3413 image shows Itzamna with the wings of a bird. This is the avian Itzamna. Julia Guernsey.
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Book of Mormon connection 11. The Nephite text describes a deity with wings 2 Nephi 25:13 symbolized by a serpent 2 Nephi 25:20.
12. Solar Deities. Itzama, the creator god, and the maize gods were associated with the east and the sun. Gabrielle Vail.
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Book of Mormon connection 12. The Nephite creator god was associated with the east 1 Nephi 21:13 and the sun 1 Nephi 1:9.
13. Rain. The annual world renewal ceremony in the spring among the Maya is attested in the Dresden (D25-28), Madrid (M34-37) and Paris Codices. Gabrielle Vail. The purpose of the world renewal ceremony was to bring life-giving rains. Easter is now celebrated as the world renewal ceremony in the Guatemalan Highlands. Allen Christenson. May is when the rainy season generally begins in most of southern Mesoamerica.
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Book of Mormon connection 13. The Nephites recorded an instance when divine aid was required to bring life-giving rains at the appropriate season Helaman 11:17.
14. Raised tree. As part of the annual world renewal ceremony, the ancient Maya raised a world tree and made offerings to it. Gabrielle Vail. World trees are called Itzam trees. Itzam trees helped the dry reason transition to the rainy season Dresden Codex 25c. In contemporary Guatemala, the world tree has now become the cross raised at the end of holy week. Anciently a turkey was decapitated to nourish the world tree with its blood Dresden Codex 26c. Modern Maya water their raised cross with turkey blood. Allen Christenson.
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Book of Mormon connection 14. The four motifs of raising 1 Nephi 11:33, tree 1 Nephi 11:25, cross 1 Nephi 11:33, and blood 1 Nephi 12:10-11 are conjoined in the Nephite record as well 3 Nephi 27:14, 19.
15. Cradling. The San Bartolo murals dated ca. 100 B.C. show an infant maize deity being cradled. Cradling as a devotional posture or ritual embrace is depicted on Olmec monuments from La Venta, Las Limas, and Rio Pesquero. Jennifer Scheper Hughes.
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Book of Mormon connection 15. Nephi saw in vision the infant Christ being cradled 1 Nephi 11:20.
16. Spiritual media. The Ch'orti' Maya associate spirits with fire and water. This makes a lake in the caldera of a volcano a spiritually active place. Kerry Hull.
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Book of Mormon connection 16. The spirit is associated with fire Helaman 5:45, 3 Nephi 9:20 and with water 1 Nephi 13:12-13, Mosiah 18:12-14 in the Nephite text.
17. Spiritual healing. Among the Ch'orti' healing consists of sweeping away evil spirits. The wind god can sweep away evil spirits. Kerry Hull.
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Book of Mormon connection 17. The Nephites, too, associated healing with casting out evil spirits 1 Nephi 11:31, 3 Nephi 7:22.
18. Traders. The maize god is a hero. God L, a trader, is a toothless, cigar-smoking villain who has access to wealth. The maize god and god L are in eternal conflict. They represent two great forces of power - settled agriculturists and traders. Mary Miller.
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Book of Mormon connection 18. Nephite scribes lionized settled agriculturists 1 Nephi 18:24, Mosiah 6:7 and vilified traders Mosiah 24:7, 4 Nephi 1:46.
19. Ditto. Doubling dots on Mayan glyphs mean "ditto." Marc Zender.
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Book of Mormon connection 19. There are several places in the text where repetitive phrasing implies the use of a "ditto" character 3 Nephi 2:4, 3 Nephi 5:7.
9. Dave Kelley. David H. Kelley and Linda Schele were good friends. Peter Matthews was Kelley's student at the University of Calgary, as was Marc Zender.
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Book of Mormon connection 9. John L. Sorenson cites David H. Kelley often. See Mormon's Codex: An Ancient American Book pp. 111, 180, and 222-223. Kelley was much more open to the likelihood of trans-oceanic migrations than most other Mesoamericanists, a trait that endeared him to Sorenson. Kelley proposed a relationship between the letters of the Proto-Sinaitic alphabet and the 20 Mayan day names. Stephen C. Compton took Kelley's thesis and developed it further. See the blog article "Book Notice - Exodus Lost by Stephen C. Compton." Compton cites Kelley as he lays out a strong case for Olmec origins in Hyksos Egypt.
10. Cerros. Material symbol systems were elaborated at Cerro Maya (aka Cerros near the mouth of the New River in Belize). David Friedel. Cerros reached apogee in the late preclassic. Ceremonial architecture began about 50 B.C. Structure 5C-2nd contains stucco mask reliefs depicting the hero twins from the Popol Vuh.
--
Book of Mormon connection 10. In our Book of Mormon model, Cerros is the city of Mulek just south of the city of Bountiful on the Nephite east coast. Joseph L. Allen suggested this correlation in 1989.
Proposed City of Mulek on the Nephite East Sea |
11. Winged Deities. Izapa Stela 4 depicts Itzamna, the creator deity, transformed into a bird with wings. Kaminaljuyu Stela 11 shows rulers dressed as birds. Heather Hurst's drawings of the San Bartolo murals show a twisted serpent bird - Itzamna's avian alter-ego. Justin Kerr's K3413 image shows Itzamna with the wings of a bird. This is the avian Itzamna. Julia Guernsey.
--
Book of Mormon connection 11. The Nephite text describes a deity with wings 2 Nephi 25:13 symbolized by a serpent 2 Nephi 25:20.
12. Solar Deities. Itzama, the creator god, and the maize gods were associated with the east and the sun. Gabrielle Vail.
--
Book of Mormon connection 12. The Nephite creator god was associated with the east 1 Nephi 21:13 and the sun 1 Nephi 1:9.
13. Rain. The annual world renewal ceremony in the spring among the Maya is attested in the Dresden (D25-28), Madrid (M34-37) and Paris Codices. Gabrielle Vail. The purpose of the world renewal ceremony was to bring life-giving rains. Easter is now celebrated as the world renewal ceremony in the Guatemalan Highlands. Allen Christenson. May is when the rainy season generally begins in most of southern Mesoamerica.
--
Book of Mormon connection 13. The Nephites recorded an instance when divine aid was required to bring life-giving rains at the appropriate season Helaman 11:17.
14. Raised tree. As part of the annual world renewal ceremony, the ancient Maya raised a world tree and made offerings to it. Gabrielle Vail. World trees are called Itzam trees. Itzam trees helped the dry reason transition to the rainy season Dresden Codex 25c. In contemporary Guatemala, the world tree has now become the cross raised at the end of holy week. Anciently a turkey was decapitated to nourish the world tree with its blood Dresden Codex 26c. Modern Maya water their raised cross with turkey blood. Allen Christenson.
--
Book of Mormon connection 14. The four motifs of raising 1 Nephi 11:33, tree 1 Nephi 11:25, cross 1 Nephi 11:33, and blood 1 Nephi 12:10-11 are conjoined in the Nephite record as well 3 Nephi 27:14, 19.
15. Cradling. The San Bartolo murals dated ca. 100 B.C. show an infant maize deity being cradled. Cradling as a devotional posture or ritual embrace is depicted on Olmec monuments from La Venta, Las Limas, and Rio Pesquero. Jennifer Scheper Hughes.
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Book of Mormon connection 15. Nephi saw in vision the infant Christ being cradled 1 Nephi 11:20.
16. Spiritual media. The Ch'orti' Maya associate spirits with fire and water. This makes a lake in the caldera of a volcano a spiritually active place. Kerry Hull.
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Book of Mormon connection 16. The spirit is associated with fire Helaman 5:45, 3 Nephi 9:20 and with water 1 Nephi 13:12-13, Mosiah 18:12-14 in the Nephite text.
17. Spiritual healing. Among the Ch'orti' healing consists of sweeping away evil spirits. The wind god can sweep away evil spirits. Kerry Hull.
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Book of Mormon connection 17. The Nephites, too, associated healing with casting out evil spirits 1 Nephi 11:31, 3 Nephi 7:22.
18. Traders. The maize god is a hero. God L, a trader, is a toothless, cigar-smoking villain who has access to wealth. The maize god and god L are in eternal conflict. They represent two great forces of power - settled agriculturists and traders. Mary Miller.
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Book of Mormon connection 18. Nephite scribes lionized settled agriculturists 1 Nephi 18:24, Mosiah 6:7 and vilified traders Mosiah 24:7, 4 Nephi 1:46.
19. Ditto. Doubling dots on Mayan glyphs mean "ditto." Marc Zender.
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Book of Mormon connection 19. There are several places in the text where repetitive phrasing implies the use of a "ditto" character 3 Nephi 2:4, 3 Nephi 5:7.